Publications
Refereed Journal Articles:
"Democratic Movement and the Spaces of American Modernity in Early 1930s Woman's Films". Canadian Journal of Film Studies. Upcoming.
"It Happened One Night, the Great Depression and Exodus Politics". Korean Journal of American Studies 48:3 (Winter 2016): 319-334.
“Catherine Breillat’s Tapage nocturne”. International Journal of Applied Psychoanalytic Studies (2013). Published online in Wiley Online Vol. 11, Issue 4 (December 2014): 297-317. DOI: 10.1002/aps.1350.
Book Chapter:
“As American as Chop Suey: The Chop Suey Joint in Classical Hollywood Film”. Chop Suey and Sushi from Sea to Shining Sea: Chinese and Japanese Restaurants in the United States (Eds. Bruce Makoto Arnold, Tanfer Emin Tunc and Raymond Chong). University of Arkansas Press: 277-296. Purchase on Amazon.
Book Reviews:
"Free and Easy? A Defining History of the American Film Musical Genre". Historical Journal of Film, Radio and Television. Published online January 4, 2018. https://doi.org/10.1080/01439685.2017.1418781.
"Hollywood and the Great Depression: American Film, Politics and Society in the 1930s by Iwan Morgan and Philip John Davies (eds)". Synoptique 6:1 (Fall 2017). Upcoming.
"Democratic Movement and the Spaces of American Modernity in Early 1930s Woman's Films". Canadian Journal of Film Studies. Upcoming.
"It Happened One Night, the Great Depression and Exodus Politics". Korean Journal of American Studies 48:3 (Winter 2016): 319-334.
“Catherine Breillat’s Tapage nocturne”. International Journal of Applied Psychoanalytic Studies (2013). Published online in Wiley Online Vol. 11, Issue 4 (December 2014): 297-317. DOI: 10.1002/aps.1350.
Book Chapter:
“As American as Chop Suey: The Chop Suey Joint in Classical Hollywood Film”. Chop Suey and Sushi from Sea to Shining Sea: Chinese and Japanese Restaurants in the United States (Eds. Bruce Makoto Arnold, Tanfer Emin Tunc and Raymond Chong). University of Arkansas Press: 277-296. Purchase on Amazon.
Book Reviews:
"Free and Easy? A Defining History of the American Film Musical Genre". Historical Journal of Film, Radio and Television. Published online January 4, 2018. https://doi.org/10.1080/01439685.2017.1418781.
"Hollywood and the Great Depression: American Film, Politics and Society in the 1930s by Iwan Morgan and Philip John Davies (eds)". Synoptique 6:1 (Fall 2017). Upcoming.
"The Woman's Film of the 1940s: Gender, Narrative, and History (2014) by Alison L. McKee". Film & History, Winter 2016, 70-72.
“Vito Zagarrio’s The ‘Un-Happy Ending’: Reviewing the cinema of Frank Capra” (Book Review). Synoptique: An Online Journal of Film and Moving Image Studies. Vol 2, No1 (Winter 2013).
Translation:
Pozner, Valérie. “To Catch Up and Overtake Hollywood: Early Talking Pictures in the Soviet Union”. In Sound, Speech, Music in Soviet and Post-Soviet Cinema (Eds. Lilya Kaganozsky and Masha Salazkina). Bloomington, Indiana University Press: 2014 (60-80).
“Vito Zagarrio’s The ‘Un-Happy Ending’: Reviewing the cinema of Frank Capra” (Book Review). Synoptique: An Online Journal of Film and Moving Image Studies. Vol 2, No1 (Winter 2013).
Translation:
Pozner, Valérie. “To Catch Up and Overtake Hollywood: Early Talking Pictures in the Soviet Union”. In Sound, Speech, Music in Soviet and Post-Soviet Cinema (Eds. Lilya Kaganozsky and Masha Salazkina). Bloomington, Indiana University Press: 2014 (60-80).
Other:
Guest editor (with Kester Dyer and Fulvia Massimi) Special Issue of Synoptique, “Xavier Dolan, Queer Nations, and World Cinema: Locating the Intimate within the Global”, Winter 2016.
"Introduction to this Issue" (co-authored with Kester Dyer and Fulvia Massimi). Synoptique 4:2 (Winter 2016), 1-7.
"Interview with Bill Marshall" (co-authored with Kester Dyer and Fulvia Massimi). Synoptique 4:2 (Winter 2016), 111-120.
Guest editor (with Kester Dyer and Fulvia Massimi) Special Issue of Synoptique, “Xavier Dolan, Queer Nations, and World Cinema: Locating the Intimate within the Global”, Winter 2016.
"Introduction to this Issue" (co-authored with Kester Dyer and Fulvia Massimi). Synoptique 4:2 (Winter 2016), 1-7.
"Interview with Bill Marshall" (co-authored with Kester Dyer and Fulvia Massimi). Synoptique 4:2 (Winter 2016), 111-120.
Conference Presentations
- "The Fallen Woman's Imagined Geographies in Depression-Era Films". International American Studies Association (IASA) Annual Conference, Laredo (Texas), July 2017.
- "Eating Chinese: Chop Suey Identity in 1930s Hollywood". Presented at the SCMS Annual Conference, Chicago (Illinois), March 2017.
- “A Feverish Work Ethic: Patriotism in Early 1930s Woman’s Films”. Presented at the Annual Film & History Conference, Milwaukee (Wisconsin), October 26-30, 2016.
- “Consuming American Identities in Early 1930s Hollywood Films”. Presented at the American Studies Association International Conference, Yongin (South Korea), September 30-October 1, 2016.
- "Exodus and the National Imaginary in Depression-Era Woman's Films". Presented at the 7th World Conference of the International Association of American Studies, Seoul National University (South Korea), August 17-19, 2015.
- "MGM's Early Transmedia Practices". Presented at the Annual Conference of the International Association for Media and History (IAMHIST), Indiana University Bloomington (US), June 17-20, 2015.
- “Our Dancing Daughters (1928): The Unstable Boundaries of an Early Transmedia Object”. Presented at the Annual Conference of the Film Studies Association of Canada (FSAC), at the University of Ottawa (Canada), June 2-4, 2015.
- “Lesbian Pleasures and Dorothy Arzner’s ‘Spectacularly Spineless’ Men”. Presented at the Third Annual London Film and Media Conference, University of London (England), June 27-29, 2013.
- “Empire of the Son: Deleuze and Masochism”. Presented at the 2013 Psychoanalysis, Culture and Society Postgraduate Conference, Middlesex University, London (England) June 15, 2013.
- “Towards Female Masochism : Catherine Breillat’s Night After Night”. Presented at the Fourth Annual Conference of Film and Philosophy, John Moores University, Liverpool (England), July 12-15, 2011.
- “For the Love of Movies: Cinephilia, Philosophy”. Presented at the Third Annual Conference of Film and Philosophy, at Warwick University, Coventry (England), July 15-17, 2010.
- “Disciplining the Study of Film”. Paper presented at the Second Annual Conference of Film and Philosophy, at the University of Dundee (Scotland), July 16-18, 2009.
- "Synecdoche, Québec: The Global Facets of Xavier Dolan's Cinema". Society for Cinema and Media Studies (SCMS) Annual Conference, Toronto (Canada), March 2018.
Campus Talks
"Gender Queerness and Gender-Fluidity in Dorothy Arzner". Faculty of Communications Annual Research Symposium. Aichi University, August 2016.
“How to Save the World One Movie at a Time”. Open Campus lecture at Aichi University, August 3, 2016.
“How to Save the World One Movie at a Time”. Open Campus lecture at Aichi University, August 3, 2016.