Andrée Lafontaine, PhD
  • About
  • Dorothy Arzner
  • Trans Studies
  • Xavier Dolan
  • Conference & Publications
  • CV
  • Syllabi
  • Digital Portfolio
  • Contact

Digital Portfolio
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  • Statement of Teaching Philosophy
  • "Democratic Movement and the Spaces of American Modernity in Early 1930s Woman's Films". Canadian Journal of Film Studies 26:2 (Fall 2017).

  • “Catherine Breillat’s Tapage nocturne”. International Journal of Applied Psychoanalytic Studies (2013). ​​
 
  • "Interview with Bill Marshall" (in collaboration with Fulvia Massimi and Kester Dyer). Synoptique 4:2, (Winter 2016).
 
  • ​"Introduction to this issue" (in collaboration with Fulvia Massimi and Kester Dyer). Synoptique 4:2 (Winter 2016).
 
  • "Free and Easy: A Defining History of the American Film Musical Genre (Book Review)". Historical Journal of Film, Radio and Television. doi: 10.1080/01439685.2017.1418781  
 
  • "Hollywood and the Great Depression (Book Review)". Synoptique 6:1 (2018).
 
  • "The Woman's Film of the 1940s: Gender, Narrative, and History by Alison McKee (Book Review)". Film & History 46:2 (Winter 2016). 
 
  • "The 'Un-Happy Ending': Reviewing the Cinema of Frank Capra de Vito Zagarrio". Synoptique 2:1 (Winter 2013).
  • Student Evaluations (Concordia University)

Selected Syllabi

  • PhD Seminar in North-American Literature and Culture: Afrofuturist Cinema
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  • Seminar in Anglo-American Studies: Political Fictions

  • Special Topic in Canadian Studies: Canadian Cinema from the Margins
 
  • Special Topic in Canadian Studies: Contemporary Québec Cinema
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  • Special Topic in Gender Studies: Gender and Genre Cinema
 
  • 1930s Hollywood 
  • Film Aesthetics 
  • Melodrama 
  • The Studio System 
  • Women and Film 

  • Politics in American Film and Television
 
  • Social Issues in American Film
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  • Pop Culture
  • About
  • Dorothy Arzner
  • Trans Studies
  • Xavier Dolan
  • Conference & Publications
  • CV
  • Syllabi
  • Digital Portfolio
  • Contact