Digital Portfolio
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• Statement of Teaching Philosophy

• "Democratic Movement and the Spaces of American Modernity in Early 1930s Woman's Films". Canadian Journal of Film Studies 26:2 (Fall 2017).

• “Catherine Breillat’s Tapage nocturne”. International Journal of Applied Psychoanalytic Studies (2013). ​​

 

• "Interview with Bill Marshall" (in collaboration with Fulvia Massimi and Kester Dyer). Synoptique 4:2, (Winter 2016).

 

• ​"Introduction to this issue" (in collaboration with Fulvia Massimi and Kester Dyer). Synoptique 4:2 (Winter 2016).

 

• "Free and Easy: A Defining History of the American Film Musical Genre (Book Review)". Historical Journal of Film, Radio and Television. doi: 10.1080/01439685.2017.1418781  

 

• "Hollywood and the Great Depression (Book Review)". Synoptique 6:1 (2018).

 

• "The Woman's Film of the 1940s: Gender, Narrative, and History by Alison McKee (Book Review)". Film & History 46:2 (Winter 2016). 

 

• "The 'Un-Happy Ending': Reviewing the Cinema of Frank Capra de Vito Zagarrio". Synoptique 2:1 (Winter 2013).

• Student Evaluations (Concordia University)

Selected Syllabi

• PhD Seminar in North-American Literature and Culture: Afrofuturist Cinema

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• Seminar in Anglo-American Studies: Political Fictions

• Special Topic in Canadian Studies: Canadian Cinema from the Margins

 

• Special Topic in Canadian Studies: Contemporary Québec Cinema

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• Special Topic in Gender Studies: Gender and Genre Cinema

 

• 1930s Hollywood 

• Film Aesthetics 

• Melodrama 

• The Studio System 

• Women and Film 

• Politics in American Film and Television

 

• Social Issues in American Film

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• Pop Culture